• 2018 BMW Motorrad International GS Trophy Heads to Mongolia

    The 2018 BMW Motorrad International GS Trophy will take place in Mongolia in a little over two years time. But the regional qualifies are open this year for men and women to compete to represent their country.

    The GS Trophy is open to any non-professional BMW rider. Teams of three compete, judged on their riding, adventure and teamwork skills. And even if you don’t win the overall trophy, you’ll get to spend time riding in Mongolia with bikes and equipment provided. To be in with a chance, you’ll need to try out in a regional qualifier, which generally replicates the main event over a couple of days.

    2018 BMW Motorrad International GS Trophy
    The 2018 BMW Motorrad International GS Trophy heads to Mongolia

    In addition to the top three overall riders from each country being selected, there’s also an International GS Trophy Female Team. The best two women from each regional event who haven’t made the top three anyway will be sent to an International GS Trophy Female Qualifier, with the top three from that going on to Mongolia.

    2018 BMW Motorrad International GS Trophy Confirmed Teams:

    • Argentina
    • Australia
    • Brazil
    • Canada
    • China
    • France
    • Germany
    • Japan
    • Latin America
    • Mexico
    • Russia
    • Southeast Asia
    • South Africa
    • South Korea
    • UK
    • USA

    Want to give it a try and be in with a chance of competing in the 2018 BMW Motorrad International GS Trophy? You’ll need to head to the GS Trophy website for the entry details. Or check out our previous coverage of the BMW all-female team, and how BMW shipped 114 BMW R1200 GS bikes to Thailand for the 2016 event.

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  • Ducati Grew Motorcycle Sales In 2016

    Claudio Domenicali will be a happy CEO, as Ducati grew motorcycle sales in 2016. The total for the year was 55,451 motorcycles delivered. That’s up 1.2% on 2015, which meant 642 extra bikes. “Ending the year of our 90th anniversary with yet another record is a source of immense pride and satisfaction”, commented Domenicali. “2016 was the seventh consecutive growth year for Ducati, clearly confirming the soundness of the Bologna-based group’s strategy and skills.”

    The growth came from a mix of existing and new models. Sales of the Multistrada range were up 16%, the renewed HyperMotards were up 15%, and apparently 5,200 of the new Ducati XDiavel were also delivered.

    Ducati Multistrada 950
    2017 Ducati Multistrada 950

    The Ducati Scrambler brand gained both the new Scrambler Sixty2 and 15,500 bikes shifted.

    In terms of location, America was the biggest market for Ducati, with customers receiving 8,787 bikes. Following up is Italy, which saw 20% growth, and Germany up 8%. There were also big gaines in Spain (+38%), China (+120%), Brazil (+36%) and Argentina (+219%).

    2017 Ducati XDiavel S
    2017 Ducati XDiavel S

    For 2017, Ducati will launch seven new bikes, including the Ducati Multistrada 950, SuperSport and 1299 Superleggera. The Monster range will see the new 797 and 1200, while the Scrambler brand gets the Cafe Racer and Desert Sled. For stats fans, Ducati currently employs 1,594 people, has a network of 783 sales and assistance centres and operates in 90 countries.

    Ducati Motor Holdings Factory in Bologna
    Ducati Motor Holdings Factory in Bologna

    What isn’t clear yet is how price rises in the UK will affect sales. Since January 1st, Ducati has raised prices by an average of 4.8% due to the devaluing of the pound following the EU Referendum, which means, for example, the Ducati Monster 821 has gone from £9,150 to £9,595. The increases haven’t been applied evenly though, as the HyperMotard 939 only increased by £300, and the Ducati Panigale R actually stays the same price.

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  • SVRA HEACOCK CLASSIC: THE GOLD STANDARD!

    Mike Matune goes trackside at VIR to bring us highlights of the Gold Cup historic races.

    The SVRA wrapped up part of its season at the Heacock Class “Gold Cup historic races at VIRginia International Raceway. Optimum weather and VIR’s lush surroundings welcomed a bevy of seasoned racers. Spectators were treated to the sights and sounds of some great big-bore historic racecars. Olthoff Racing (www.olthoffracing.com) of NC showed up with three Superformance GT40s, top, including those of Harry McPherson (#2) and Jeff McKee.

    Curt Vogt brought his ‘70 Mustang, above. While it is a genuine Boss 302, it has no race history and is prepared to the current vintage rulebook as opposed to period standards. The engine puts out close to 600 horsepower and Vogt used every one of them as he manhandled the beast around VIR, frequently testing the limits of the track’s “friction circle”.

    Michael Lange’s Ford GT was built by Matech in Switzerland for GT3 competition in Europe. It served as an interesting contrast to the 1960s era technology of the Superformance cars. The car has approximately 500 horsepower from a Ford DOHC V8 backed by a Hewland sequential gearbox. Extensive use of carbon fiber keeps overall weight to about 2,300 pounds, allowing “adequate” performance. A surprising feature of the car is air conditioning!

    Tommy Riggins originally built this Falcon for the updated Trans-Am series. It never turned a wheel there and ended up competing in SCCA GT1. It features a fiberglass silhouette body favoring the 1963 Falcon (if you squint) on a modern tubular frame with tubular A-arms up front and a Ford nine-inch rear end suspended with a three-link system. Power comes from a 358-inch Rousch-Yates Ford V-8. Doug Richmond bought the car and freshened it for the vintage racing wars. VIR was its second outing under his ownership.

    It is hard to fault the lines on the Lola T70, Eric Broadley’s early attempt at a Group 7 racecar. Tom Shelton’s example was originally sold by the late Carl Haas, Lola’s U.S. importer to a privateer. It was campaigned in the USRRC and Can-Am with very modest success. As an early Mark I model, it had a narrow body updated to its present wide-body to accommodate hefty racing rubber during its extensive restoration.

    Dave Robert’s ‘56 Corvette could was converted into a racecar by Chicago area Motor Sport Research in the early 1960s. It would live a life over time involving multiple owners and drivers, each attaining some level of success. When technology eventually caught up with it, it became a vintage racer and continued its winning ways. Roberts has recently returned the car to its original configuration to best celebrate its historic significance.

    Ken Mennella is a long time vintage competitor in his “tribute” ‘63 Corvette Grand Sport roadster. Equipped with a 600 horsepower, 400-inch Chevy small-block and TexRacing Super T-10 transmission, the car has been wining in SVRA Groups 5 & 10 for more than ten years. His car is a faithful reproduction of what was envisioned as an American car to beat Shelby’s Cobra and the fastest European racing cars. Its promise was short lived when GM enforced its anti-racing position.

    Externally Robert Gee’s ‘69 Corvette has all the pieces associated with the L88 endurance racing package – fender flares, fixed headlights under clear plastic covers and a vented and bubbled hood. It’s small-block powered and prepared to B/Production vintage standards with original brakes and stamped steel a-arms.

    Bob Lima’s big-block powered Corvette was formerly raced by Dick Kantrud. Like Gee’s car, it features styling cues from the famed Corvette endurance racers of the late-1960s,-early 1970s. Power comes from a big block Chevy with Edelbrock aluminum heads and a plethora of racing hardware. The raised headlights with clear covers reduced weight and complexity by eliminating the retracting mechanism. They also allowed improved airflow.

    Corvette racecars come in all forms from nearly showroom stock to purpose-built racers like Jeff Bernatovich’s entry. Originally built by Irv Hoerr, it combines a tube frame and look-alike fiberglass body panels, sharing precious little with its production counterparts. Some racers like this approach because instead of removing extraneous street components and beefing up cars that were never intended to withstand racetrack punishment, they are starting with a clean slate and incorporating only that what they need for speed and safety.

     

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  • ST. MICHAELS CONCOURS: SHOWTIME ON CHESAPEAKE BAY!

    Mike Matune brings us highlights from one of the top East Coast Concours.

    As the show season winds down, we always look forward to the St. Michaels Concours d’Elegance for one last hurrah. To celebrate its tenth year on the Concours calendar, it returned to the campus of the Chesapeake Bay Maritime Museum. This location allowed the showcasing of stunning wooden boats and outstanding automobiles, delivering pure sensory overload. Making its debut at St. Michaels was the North Collection’s ‘33 Alfa Romeo 8C 2300. Under its flaming Italian Racing Red paint is body done in the style of Touring, build by Pettenella.

    Robert Tattersall freely admits the lovely lady, right, featured on the hood of his ‘48 Triumph TRA 2000 is the most frequently photographed element of his car! It’s something of a shame as the car has many other notable features. Among them a “dickey” or rumble seat with a pop-up windshield.

    Tattersall’s Triumph, below, showcases some of the details that make it an excellent addition to the show field: period blanket and picnic basket. One could almost see Yogi Bear running off with the basket!

     

    Karen & John Gerhard’s ‘66 Ferrari 275 GTB Berlinetta was made for, and feels most comfortable on, the open road. When introduced at the 1964 Paris Auto Show, it marked a move by Ferrari to produce a more user-friendly version of its front-engined, closed sports car. But that move didn’t come at any reduction in performance. A Colombo designed 3.3-liter 280 horsepower V12 powered a new 275 chassis with four-wheel independent suspension.

    Here is an early example of American Muscle, Peter Stiffel’s ‘11 Mercer Raceabout. It utilized a minimalist approach to lower weight and high performance. Nothing was included that didn’t serve the singular purpose of providing its driver with a thrilling adventure.

    Max Hoffman, the legendary auto importer of the 1950s, gave us several important marques and models, among them the BMW 507 roadster. Impeccably styled by noted industrial designer Albrecht Goertz, it features a V-8 of just over three liters backed by a four-speed transmission. They became the darlings of the rich and famous in their day. Thomas Pesikey owns this beautiful, Rudge wheel equipped example.

    Paul & Linda Gould’s ‘35 Bugatti Type 57 Grand Raid Roadster was one of those cars you had to observe from every angle to drink in just how striking it is. This one is one of only two that were completed with bodies built by the Swiss firm, Worblaufen. This rear angle gives you a good idea of how all the elements of design combine into one very cohesive shape.

    Alvis is one of those British manufacturers that has disappeared. But before they went, they produced some very well styled cars like James Sprague’s ‘64 TE21 Drophead Coupe with coachwork by Park Ward. Actor Tony Curtis originally owned Sprague’s car. He had it fitted with power steering and brakes, automatic transmission and air conditioning.

    In a car that bore his name, E. L. Cord combined cutting edge engineering with equally impressive styling. FWD drive and a monocoque chassis rested under a rakish body with hideaway headlights and a “coffin” nose. Thomas Haines’s ‘36 Cord 810 Convertible Phaeton takes it all a step further with an open car still allowing for all weather protection.

    Barbara and Al Mason are frequent Concours competitors with their brilliant orange ‘28 Auburn 8-115 Speedster. At St. Michaels they came away with a double victory, earning not only People’s Choice, but also taking Best in Show. An impressive “Double” to say the least!

    Here is proof of the old adage about “There’s nothing new under the sun”. Bill Alley’s Waverly four-passenger Brougham is an electric car built in 1911. Originating in the period when the automobile was beginning to replace horse drawn conveyances, its appointments are more in keeping with an aristocrat’s carriage than what we would expect in an automobile. The interior looks like the drawing room in a fine home.

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