• Margot Robbie’s high-speed Monaco glide

    Watch this cool video of Wolf of Wall Street star Margot Robbie driving a 100% electric Nissan BladeGlider through the streets of Monte Carlo.

    The actress tested the Nissan BladeGlider – which can hit 62mph in less than five seconds – against an identical car on closed roads in the iconic French Riviera Principality.

    The three-seater prototype, which hits 100km/h in less than five seconds, challenges the conventional thinking of what an all-electric sports car could look like in the future.

    Showcasing all the fun and excitement of pure electric vehicles, the concept is part of Nissan’s Intelligent Mobility vision of how cars should be driven, powered and integrated into society.

    In the video, the Suicide Squad and The Wolf of Wall Street star is also seen demonstrating the drifting prowess of Nissan BladeGlider around one of the most famous corners in the world of motorsport – the iconic Fairmont Hairpin.

    “It’s a really exciting time for electric vehicles,” said Margot, Nissan’s first electric vehicle ambassador.

    “More people are choosing to go electric, leading the way to a more sustainable future and the Nissan BladeGlider hints at the future of smarter performance cars.”

    The post Margot Robbie’s high-speed Monaco glide appeared first on Automotive Blog.

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  • 666 Ducati Diavel Diesel Models To Be Built

    The Ducati Diavel Diesel is a limited edition model being produced as a collaboration by the two Italian firms. A total of 666 motorcycles will be produced as a result, featuring what the press releases calls ‘a hyperkinteic dynamism of a post-apocalyptic, retro-futuristic world’. Sounds fancy.

    2017 Ducati Diavel Diesel

    To go with the release of the Ducati Diavel Diesel is a small collection of clothing to match from Diesel. On the way in April with the limited edition, will be a leather jacket, two T-shirts and a pair of Jogg Jeans. Which might be why the new bike was actually unveiled at Milan Men’s Fashion Week before heading to the Motor Bike Expo.

    2017 Ducati Diavel Diesel and Clothing

    Ducati Diavel Diesel Design:

    So it’s obvious that a motorcycle worked on by Ducati and an Italian clothing brand would need to look good. And the Diavel starts off with a hand-brushed stainless steel superstructure with visible welding and rivets. That approach is kept for the fuel tank cover, front cowl and passenger saddle cover.

    2017 Ducati Diavel Diesel Tank Cover

    2017 Ducati Diavel Diesel Tank Cover

    And the saddle itself looks rather lovely, made of real leather, and with a pyramid of three Ds to stand for Ducati, Diesel and Diavel. The mix of leather and visibile steel has that feel of vintage aeroplanes or ships. It’s definitely my favourite part of the bike.

    2017 Ducati Diavel Diesel Saddle and Passenger Cowl

    2017 Ducati Diavel Diesel Saddle and Passenger Cowl

    The black anodised lateral air intakes also ave visible welding, and have intake covers in red methacrylate (or bendy plastic as it’s also known). And some Diesel logos on the inside.

    2017 Ducati Diavel Diesel Intake Cover

    2017 Ducati Diavel Diesel Intake Cover

    There’s a red theme with the LCD dashboard matching the Brembo front brake calipers and even the chain features five red links.

    But the exhaust goes for classic black Zircotec ceramic coating, with black silencers. Both the exhausts end cans and rear-view mirrors are machined from a solid block. You also get a black front mudguard with the DDD pyramid logo on it.

    To show it’s a limited edition, the Ducati Diavel Diesel comes with a numbered plate on the frame. And buyers will be happy to know they get a bike cover and rear stand included in the price – but will have to wait to pick up a matching Diesel T-shirt.

    Mechanically it’s a standard Ducati Diavel, with a 162hp Testastretta engine, with the Ducati Safety Pack (ABS and Traction Control). Which is the point where some people may have lost interest – but as a purely cosmetic limited edition, the Ducati Diavel Diesel has some nice touches to enjoy or possibly emulate.

    There’s no word on price, but we’re sure your local Ducati dealer can find out for you before the bike is released in April. And if you can’t stretch that far, you can always buy a T-shirt instead…

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  • The 2017 Yamaha XSR900 Abarth Now Available

    The 2017 Yamaha XSR900 Abarth is a new and limited edition model in the Sport Heritage range. It teams the Japanese company with a famous name from the car world. Abarth was originally founded in 1949, and has specialised in small sports cars for 60 years, including being featured as the sportier end of the FIAT brand.

    2017 Yamaha XSR900 Abarth

    The 2017 Yamaha XSR900 Abarth

    Abarth already sponsors the Movistar Yamaha MotoGP team and supplies a number of specialist vehicles as part of that relationship. So it seems only right that Yamaha honour them by producing a total of 695 bikes with some exclusive lightweight parts.

    Typically for a factory special, the 2017 Yamaha XSR900 Abarth features the standard 950cc three-cylinder engine with traction control and slipper clutch. But what it does gain is a full lightweight Akrapovic exhaust system with titanium double slip-on silencer. So that will help acceleration a bit, as well as making you sound faster.

    2017 Yamaha XSR900 Abarth

    Just running in the 2017 Yamaha XSR900 Abarth

    Also helping you feel faster is a sportier riding position, thanks to swallow ‘clip-on’ style handlebars and the single racing seat. It’s finished with a suede cover and red stitching. And the seat cowl is one of the new lighweight carbon parts which feature the Abarth logo, along with the carbon front mudguard.

    Online order registrations opened on January 17th with the first 95 customers getting an invitation to an exclusive Yamaha VIP Abarth Experience, along with their choice of companion. The events will be confirmed when the new owners finish their purchase, and will take place between May 1st and June 16th 2017 at circuits in Italy, Germany, Spain, Portugal, Austria and the UK.

    Each event includes the chance to test drive a range of Abarth vehicles on the circuit, take a drive with a professional racing driver, and also be given the chance to visit Abarth’s Turin headquarters by prior appointment throughout 2017.

    Once the initial 95 models of the 2017 Yamaha XSR900 Abarth have gone, the remain 600 are available to order from your local Yamaha dealer from April 2017. And to be fair, you’ll have as much fun on the road or track on the XSR900 as you would in any car.

    Then again, if you do appreciate small, four-wheeled vehicles, then you might like the fact Abarth have also procuded a concept car to match the bike. The 695 Tributo XSR has the same grey and red livery, an extensive array of carbon fibre, and also gets an Akrapovic exhaust system.

    2017 Yamaha XSR900 Abarth and Car

    It’s just a shame they haven’t produced a matching motorcycle trailer and made it all available as a set!

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  • SVRA HEACOCK CLASSIC: THE GOLD STANDARD!

    Mike Matune goes trackside at VIR to bring us highlights of the Gold Cup historic races.

    The SVRA wrapped up part of its season at the Heacock Class “Gold Cup historic races at VIRginia International Raceway. Optimum weather and VIR’s lush surroundings welcomed a bevy of seasoned racers. Spectators were treated to the sights and sounds of some great big-bore historic racecars. Olthoff Racing (www.olthoffracing.com) of NC showed up with three Superformance GT40s, top, including those of Harry McPherson (#2) and Jeff McKee.

    Curt Vogt brought his ‘70 Mustang, above. While it is a genuine Boss 302, it has no race history and is prepared to the current vintage rulebook as opposed to period standards. The engine puts out close to 600 horsepower and Vogt used every one of them as he manhandled the beast around VIR, frequently testing the limits of the track’s “friction circle”.

    Michael Lange’s Ford GT was built by Matech in Switzerland for GT3 competition in Europe. It served as an interesting contrast to the 1960s era technology of the Superformance cars. The car has approximately 500 horsepower from a Ford DOHC V8 backed by a Hewland sequential gearbox. Extensive use of carbon fiber keeps overall weight to about 2,300 pounds, allowing “adequate” performance. A surprising feature of the car is air conditioning!

    Tommy Riggins originally built this Falcon for the updated Trans-Am series. It never turned a wheel there and ended up competing in SCCA GT1. It features a fiberglass silhouette body favoring the 1963 Falcon (if you squint) on a modern tubular frame with tubular A-arms up front and a Ford nine-inch rear end suspended with a three-link system. Power comes from a 358-inch Rousch-Yates Ford V-8. Doug Richmond bought the car and freshened it for the vintage racing wars. VIR was its second outing under his ownership.

    It is hard to fault the lines on the Lola T70, Eric Broadley’s early attempt at a Group 7 racecar. Tom Shelton’s example was originally sold by the late Carl Haas, Lola’s U.S. importer to a privateer. It was campaigned in the USRRC and Can-Am with very modest success. As an early Mark I model, it had a narrow body updated to its present wide-body to accommodate hefty racing rubber during its extensive restoration.

    Dave Robert’s ‘56 Corvette could was converted into a racecar by Chicago area Motor Sport Research in the early 1960s. It would live a life over time involving multiple owners and drivers, each attaining some level of success. When technology eventually caught up with it, it became a vintage racer and continued its winning ways. Roberts has recently returned the car to its original configuration to best celebrate its historic significance.

    Ken Mennella is a long time vintage competitor in his “tribute” ‘63 Corvette Grand Sport roadster. Equipped with a 600 horsepower, 400-inch Chevy small-block and TexRacing Super T-10 transmission, the car has been wining in SVRA Groups 5 & 10 for more than ten years. His car is a faithful reproduction of what was envisioned as an American car to beat Shelby’s Cobra and the fastest European racing cars. Its promise was short lived when GM enforced its anti-racing position.

    Externally Robert Gee’s ‘69 Corvette has all the pieces associated with the L88 endurance racing package – fender flares, fixed headlights under clear plastic covers and a vented and bubbled hood. It’s small-block powered and prepared to B/Production vintage standards with original brakes and stamped steel a-arms.

    Bob Lima’s big-block powered Corvette was formerly raced by Dick Kantrud. Like Gee’s car, it features styling cues from the famed Corvette endurance racers of the late-1960s,-early 1970s. Power comes from a big block Chevy with Edelbrock aluminum heads and a plethora of racing hardware. The raised headlights with clear covers reduced weight and complexity by eliminating the retracting mechanism. They also allowed improved airflow.

    Corvette racecars come in all forms from nearly showroom stock to purpose-built racers like Jeff Bernatovich’s entry. Originally built by Irv Hoerr, it combines a tube frame and look-alike fiberglass body panels, sharing precious little with its production counterparts. Some racers like this approach because instead of removing extraneous street components and beefing up cars that were never intended to withstand racetrack punishment, they are starting with a clean slate and incorporating only that what they need for speed and safety.

     

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  • ST. MICHAELS CONCOURS: SHOWTIME ON CHESAPEAKE BAY!

    Mike Matune brings us highlights from one of the top East Coast Concours.

    As the show season winds down, we always look forward to the St. Michaels Concours d’Elegance for one last hurrah. To celebrate its tenth year on the Concours calendar, it returned to the campus of the Chesapeake Bay Maritime Museum. This location allowed the showcasing of stunning wooden boats and outstanding automobiles, delivering pure sensory overload. Making its debut at St. Michaels was the North Collection’s ‘33 Alfa Romeo 8C 2300. Under its flaming Italian Racing Red paint is body done in the style of Touring, build by Pettenella.

    Robert Tattersall freely admits the lovely lady, right, featured on the hood of his ‘48 Triumph TRA 2000 is the most frequently photographed element of his car! It’s something of a shame as the car has many other notable features. Among them a “dickey” or rumble seat with a pop-up windshield.

    Tattersall’s Triumph, below, showcases some of the details that make it an excellent addition to the show field: period blanket and picnic basket. One could almost see Yogi Bear running off with the basket!

     

    Karen & John Gerhard’s ‘66 Ferrari 275 GTB Berlinetta was made for, and feels most comfortable on, the open road. When introduced at the 1964 Paris Auto Show, it marked a move by Ferrari to produce a more user-friendly version of its front-engined, closed sports car. But that move didn’t come at any reduction in performance. A Colombo designed 3.3-liter 280 horsepower V12 powered a new 275 chassis with four-wheel independent suspension.

    Here is an early example of American Muscle, Peter Stiffel’s ‘11 Mercer Raceabout. It utilized a minimalist approach to lower weight and high performance. Nothing was included that didn’t serve the singular purpose of providing its driver with a thrilling adventure.

    Max Hoffman, the legendary auto importer of the 1950s, gave us several important marques and models, among them the BMW 507 roadster. Impeccably styled by noted industrial designer Albrecht Goertz, it features a V-8 of just over three liters backed by a four-speed transmission. They became the darlings of the rich and famous in their day. Thomas Pesikey owns this beautiful, Rudge wheel equipped example.

    Paul & Linda Gould’s ‘35 Bugatti Type 57 Grand Raid Roadster was one of those cars you had to observe from every angle to drink in just how striking it is. This one is one of only two that were completed with bodies built by the Swiss firm, Worblaufen. This rear angle gives you a good idea of how all the elements of design combine into one very cohesive shape.

    Alvis is one of those British manufacturers that has disappeared. But before they went, they produced some very well styled cars like James Sprague’s ‘64 TE21 Drophead Coupe with coachwork by Park Ward. Actor Tony Curtis originally owned Sprague’s car. He had it fitted with power steering and brakes, automatic transmission and air conditioning.

    In a car that bore his name, E. L. Cord combined cutting edge engineering with equally impressive styling. FWD drive and a monocoque chassis rested under a rakish body with hideaway headlights and a “coffin” nose. Thomas Haines’s ‘36 Cord 810 Convertible Phaeton takes it all a step further with an open car still allowing for all weather protection.

    Barbara and Al Mason are frequent Concours competitors with their brilliant orange ‘28 Auburn 8-115 Speedster. At St. Michaels they came away with a double victory, earning not only People’s Choice, but also taking Best in Show. An impressive “Double” to say the least!

    Here is proof of the old adage about “There’s nothing new under the sun”. Bill Alley’s Waverly four-passenger Brougham is an electric car built in 1911. Originating in the period when the automobile was beginning to replace horse drawn conveyances, its appointments are more in keeping with an aristocrat’s carriage than what we would expect in an automobile. The interior looks like the drawing room in a fine home.

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