Simeone Museum – Pulpaddict

SHELBY COBRA DAYTONA COUPE: FACTORY FIVE EDITION

With only six original Cobra Daytona Coupes built and valuations in the millions, this 427-powered replica SHELBY COBRA DAYTONA COUPE: FACTORY FIVE EDITION is an affordable and potent show or road warrior.

Considered royalty, the original Peter Brock-designed Cobra Daytona Coupe delivered the U.S. in 1965 its first and only World Manufacturers Championship for GT Cars. It would be unimaginable for the average car enthusiast to not find themselves easily enchanted by the barking, burbling sounds when firing up a classic sports car like this replica Daytona, and seeing it unleashed on the open road. Chances of seeing a real one on the road is slim to none, but a number of kit car manufacturers offer bodies and rolling chassis ready for a powertrain. The one featured here is a modern Type 65 model, from Factory Five.

Only six original Coupes, powered by 289 Ford small-blocks with Weber carburetors, were built by Shelby American, the first in California and the remaining five at Carrozzeria Gransport in Modena, Italy. And, they were campaigned in the U.S. by Shelby American drivers and in Europe, with assistance from Alan Mann Racing in England.

This Shelby Cobra Daytona Coupe Type 65 replica, attracts a crowd whether at a show or parked on the street. Made by Factory Five, it’s owned by Edgar Leon, Englewood, FL, who considers his Coupe a show-car built with a Grand Prix personality. And yes, even though it replicates a successful racing car, it is street legal! From the laminate composite body to the hatchback rear window, the Type 65 Coupe delivers an aggressive racecar exterior. It’s built with a jig-welded tube frame (95-inch wheelbase) and features a quality composite body with a hinged glass rear window.

Resting under the well-secured hood is blueprinted 427-inch Cobra V8 engine, based on a Dart 351-inch Ford Windsor block bored to 4.125-inches and fitted with a forged 4.00-inch stroke crank from Smeding Performance. This is a serious engine with four-bolt mains, 10.2-to-1 compression forged aluminum pistons and forged steel rods. It’s a turn-key crate engine that Smeding Performance breaks in on an in-house DTS dyno before shipping to customers. Other details include 2.08/1.60-inch valve AFR aluminum heads, 750-cfm Quick Fuel Technology double-pumper on an Edelbrock Victor single-plane manifold, hydraulic roller cam, roller rockers and a seven-quart oil pan. Redlined at 6,500 rpm and running on 91 octane pump gas, output is a very respectable 560 horsepower!

Chassis details include independent double arm front suspension along with a solid axle, FFR three-link rear suspension and power-assisted rack and pinion steering. The engine is hooked up to a Tremec five-speed transmission. When measuring the muscle, looks are just the tip of the iceberg. According to the specifications from Factory Five Racing, a 427 Type 65 Coupe is estimated to average 0-60 mph in 3.6 seconds, a 12-second quarter-mile at 115 mph, and a top speed of up to 150 mph. That’s serious performance, likely better than the original and more than adequate for vintage road racing. And, just right for the road!

From upshift to downshift, Edgar Leon’s Coupe sounds like a racecar thanks to its potent powerplant and low-restriction side exhausts. It’s loud enough to wake up Dennis the Menace’s Mr. Wilson from his mid-day nap! From the driver’s perspective, Leon said the car drives very smoothly and requires a smooth touch from its driver because a fast car can become a loose car when pushing its limits. Otherwise, the car will get tail happy and spin out of control, a reminder to Leon and to every car enthusiast he meets that his Type 65 Coupe is strictly for show and gets really hot inside after driving on the road during warmer weather. It’s hard to imagine that one of the original Daytona Coupes was driven on the Bonneville Salt Flats without the benefit of AC. That car is now at the Simeone Foundation Museum in Philadelphia, PA

Race ready under the hood as well as inside, Edgar Leon’s Coupe comes with quality bucket seats, five-point Simpson harness, and Allen Grant’s signature on the dashboard. Grant raced Cobras and Daytona Coupes for Shelby American back in the day. Its interior is far more detailed and luxurious than Shelby’s original which was designed and engineered purely for racing on the world stage.

This coupe is a reflection of an iconic all-American racecar, driven by legendary drivers to legendary wins in Europe and the U.S.

Words & Photos: Dan Fisher

For more information about the SHELBY COBRA DAYTONA COUPE: FACTORY FIVE EDITION, please visit https://www.factoryfive.com/type-65-coupe/

Check out engine builder Smeding Performance @ https://smedingperformance.com/collections/ford-engines/products/427-cobra?variant=11963071397924

BIRTH OF THE FORD GT40

Racing historian Mike Matune represented the CarGuyChronicles at the Simeone Museum’s BIRTH OF THE FORD GT40 Seminar, and produced this feature.

For an oft-talked about and much analyzed subject like Ford’s iconic GT40, the amount of interest that it still elicits is amazing. A full-house crowd filled the Simeone Foundation Automotive Museum near the Philadelphia, PA airport to hear a panel of renowned GT40 aficionados bring the GT40’s history into sharper focus.

Gathered on the stage, were (L to R) Janos Wimpffen author (Time and Two Seats) and authority on sports car racing, Mike Teske, author (Ford Racing Century), archivist, and creator of the continuation Kar-Kraft/Ford Mark IV and Allen Grant, Shelby American driver. The entire event was ably moderated by Harry Hurst, author and curator of the Glory Days of Racing Facebook Group. Janos Wimpffen (forefront with microphone) kicked off the seminar by setting the stage for the world of international sports car racing Ford entered in the 1960s.

Then Mike Teske, right, told the story of Ford’s ill-fated efforts to buy Ferrari and their subsequent approaches to English racecar constructors Lotus, Cooper and Lola. Mike’s presentation was backed up by rare documentation from his personal archives. And as if that wasn’t enough, in front of the stage were Allen Grant’s Lola Mark V1 GT and Benjamin Levy’s race-spec, road-worthy GT40 P/1030, below, (originally used by Ford and Shell Oil for advertising, never raced) along with the Simeone Collection’s Alan Mann lightweight XGT-1 (GT40 Mark II) and Ford Mark IV Chassis # J-8). To the back of the lecture area were numerous examples of the First (2005-2006) and Second (2017-2022) generations of the modern Ford GT.

After the BIRTH OF THE FORD GT40 presentation portion of the Seminar, all the cars were exercised behind the museum. In the background flags and lights indicate all is green! On “track” and separated by some 60 years, Alan Grant’s Lola Mark VI GT waits to rejoin the fun as a Second-Generation Ford GT moves past. To some the Lola is the basis for Ford’s subsequent efforts, to others merely the inspiration; either way, it was an important benchmark along the timeline of the original Ford GT/GT40.

In short order, Ford’s Roy Lunn who had been responsible for the Mustang 1, took four building blocks (the Mustang 1 suspension, Indy car engine & Colotti transaxle and Ford Styling’s body shape) and created the Ford 1964 GT. Quickly the development cycle pushed the Mark 1 forward. The original body-shape would be refined to better address aerodynamics. Borrani wire wheels would be replaced with Halibrand cast wheels and powerplants shifted from the 255-inch aluminum Indy small-block to the race-prepped, production-version cast-iron 289, but still with four 48 IDA Weber carburetors.

But racing never stands still and Ford realized they would have to improve the GT40’s overall power to weight ratio to gain a competitive advantage. Enter the Ford GT40 Mark II. Among its advancements were an aluminum-head Ford 427 backed by a Kar-Kraft transaxle, and the resulting chassis modifications to bring it all together.

Long proven in drag and stock cars, the 427 fills the engine bay of the Simeone Collection’s yellow (Alan Mann Racing) XGT-1. Topped by a familiar Holley four-barrel and utilizing an impressive “bundle of snakes” exhaust system, it raced in the fabled 1966 Le Mans contest where Ford scored an impressive 1-2-3 finish. In answer to a question during the BIRTH OF THE FORD GT40 Q&A, the panel acknowledged the race’s controversial finish, but concluded it was accurate based on the rules in effect at the time and a thorough analysis of all available documentation, including lap charts and timing paperwork from ACO/Le Mans, IBM and Shelby.

What could top Ford’s 1966 domination at Le Mans, quite simply, why another victory in 1967 of course! This would be an All-American victory in the new Ford Mark IV. Dan Gurney and A. J. Foyt came home first in the car constructed by Kar Kraft, Ford’s Detroit-based “Skunk-Works”.

The Mark IV also featured a Ford 427, considerably improved by the use of aluminum Tunnel Port heads and intake manifold with a pair of Holley four-barrels. A Kar-Kraft T-44 four-speed transaxle completed the powertrain, same as used in previous year’s Mk IIs. Simeone’s blue J-8 was the last Mark IV built at Kar-Kraft, with the final four chassis set aside for other projects. The Mark IV platform was all-new, constructed of lightweight honeycomb aluminum in place of sheet steel and aluminum. This Mark IV was raced at Le Mans in 1967 by Holman & Moody, but did not finish the race.

It would prove to be the end of the line for the Ford factory effort as rules changes limited engine displacement to five-liters, eliminating 427 racecars from competition. John Wyer’s “Gulf” GT40 (P/1075) would win two additional times in 1968-1969 before the curtain finally came down on the Ford GT40 at Le Mans.

Words & Photos (engines, Lola GT, Mark I) by Mike Matune.

Event photos by Andrew Taylor, Simeone Museum.

For more information on the Simeone Foundation Automotive Museum, ranked #1 in the world, please visit https://simeonemuseum.org/

Follow Harry Hurst, racing historian and author @ https://www.facebook.com/groups/527146584145263

CAMILO PARDO, FORD GT SEMINAR

What better venue than the Simeone Museum – displaying the Ford Mark I GT40 that inspired the 2005 Ford GT – could there be for a CAMILO PARDO, FORD GT SEMINAR?

On June 11^th, Camilo Pardo will discuss the inspirations he used to design the ’05 Ford GT at an event at the Simeone Museum in Philadelphia, PA. Camilo will have an example of the 2005 model to use in his discussion, alongside the same car Camilo used as inspiration for his design almost two decades ago – the ‘66 Ford Mark I GT40 Mk I, chassis #1030, owned by Benjamin Levy. The event will take place at 11:15 – Noon as part of the Museum’s “Demo Days,” where cars from the collection are driven on the back parking area. The theme of the Demo Day is “Americans at Le Mans.” Historian/photographer Harry Hurst will moderate.

Born in New York City, Camilo moved to Detroit at the age of 10 and had by that age developed a fascination with 1960s and 1970s-era sports cars and modern art. After graduating from Detroit’s prestigious Center for Creative Studies in 1985, Camilo was hired by Ford to work at its Design Center in Dearborn, MI. His assignments included working in the Dearborn Advanced Studios, Ford of Europe Studio in Torino, Italy, and the Design Studios in Cologne, Germany. After 15 years at Ford Motor Company, he took on what was for him the ultimate assignment – a state-of-the-art re-design of the classic Ford GT40 racecar. This project produced the ‘02 Ford GT Concept car.

As Chief Designer of the Ford GT and the SVT Studio, Camilo’s team worked on the 2005 and 2006 production Ford GT. The GT became an instant success capturing the interest of car enthusiasts around the world. GT40 P/1030, above, with prototype ’05 Ford GT

Camilo is also a multi-faceted artist, working in oil paintings, fashion, and furniture. His automotive fine art is highly prized by collectors and Camilo plans to have a sampling on display at the Simeone, available for sale. HIs fashion pieces have been created for auto shows and runway exhibits. Camilo’s industrial design reaches into sculptural furniture design that has made the rounds from art galleries in Metro Detroit, Italy, Japan, and the Contemporary Furniture Fare in New York. Check out Camilo’s art @ http://www.camilopardo.com/

For additional information on CAMILO PARDO, FORD GT SEMINAR event, and Museum displays and details, please visit https://www.simeonemuseum.org/